Fall

Filtering by: Fall
Sep
13
10:00 AM10:00

The Art & History of Jell-O Molds

The Art & History of Jell-O Molds

with Sara Clugage

September 13, 10:00 a.m.–1:00 p.m.

Tuition: $100

Materials Fee: $20

In this practical workshop, participants will create jelly dishes inspired by sculptural gelatin creations from the 18th century to the present. We will learn how to layer ribbon jellies, turn out specialized molds, and carve agar into geometric shapes. Recipes will be staggered through the class to allow for chill times. All molds and materials will be provided.

Plan to bring: if you have molds of your own to experiment with, or small objects you would like to see encased in Jell-O, please bring them with you.

Sara Clugage’s art practice focuses on economic and political issues in craft and food. She is Editor-in-Chief of Dilettante Army, an online magazine for visual culture and critical theory, and a 2024-2025 culinary resident at Ox-Bow School of Art and Artists’ Residency. Sara has most recently been core faculty for the MA in Critical Craft Studies program at Warren Wilson College, and her most recent publication is the 2021 monograph from the Haystack Mountain School of Crafts, "New Recipes: Cooking, Craft, and Performance." She is currently at work on a book project about Jell-O, animacy, and abstraction.

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Sep
13
10:00 AM10:00

Here’s What Matters: Starting a Memoir

Here’s What Matters: Starting a Memoir

with Jack Ridl

September 13, 10:00 a.m.–5:00 p.m.

Tuition: $200

Materials Fee: N/A

Participants will spend the day exploring, through their preferred form of writing, the things that have profoundly impacted their own lives—whether they are funny, traumatic, serious, sorrowful, or joyous—and turn these stories into the beginnings of a memoir. Using Jack’s suggestions, writers will first talk with one another about what subject they have chosen then, they will have time to explore that choice in writing, after which the group will engage in a delightful debriefing about what showed up as they wrote, culminating in a deeply memorable day.

Plan to bring: Writing utensils and paper or notebook and memorable tokens from your life that may inspire writing.

Jack Ridl, Poet Laureate of Douglas, Michigan, is the author of All At Once (CavanKerry Press), Saint Peter and the Goldfinch (Wayne State University Press), and several other books. His Practicing to Walk Like a Heron was co-recipient of the National Gold Medal for Best Collection of Poetry by ForeWord Reviews. His collection Broken Symmetry was co-recipient of The Society of Midland Authors best book of poetry award for 2006. Then Poet Laureate Billy Collins selected his Against Elegies for The Center for Book Arts Chapbook Award. Individual poems have been published in The Georgia Review, Poetry, Colorado Review, Rattle, North American Review, Prairie Schooner, Field, Poetry East, and elsewhere. The students at Hope College named him both their Outstanding Professor and their Favorite Professor, and in 1996 The Carnegie Foundation named him Michigan Professor of the Year. More than 85 of Jack’s students have earned their MFA degree and over 100 are published. Every Thursday Jack hosts and posts on YouTube “The Sentimentalist.” Poetry and Song: A Concert with Carrie Newcomer and Jack Ridl is also available on YouTube. For further information about Jack, his website is www.ridl.com.

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Sep
26
to Sep 28

Glass Pumpkins on the Ox Lagoon

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Special Fall Intensive: Glass Pumpkins on the Ox Lagoon

with Ekin Aytac & Joshua Davids

3-day, September 26–28, 10:00 a.m. – 5:00 p.m.

Tuition: $600

Materials Fee: N/A

Students will be introduced to the basic principles of hot glass and learn how to craft their own glass pumpkin. In this course, students will learn to gather hot glass on a blowpipe and manipulate the material using hand tools and optic molds, developing the skills necessary to create their own unique glass artwork. The class will begin with an introduction to the hot glass studio and basic tools with special respect to safe conduct while working in the studio; students will begin with practicing basic skills such as gathering and shaping molten glass followed by blowing bubbles and eventually combining those techniques to create hand blown glass pumpkins.

Plan to bring: Closed-toe shoes, 100% cotton or natural fiber clothing, and a great attitude ready for a fun and challenging learning experience.

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Sep
27
10:00 AM10:00

Autumnal Arrangements

Autumnal Arrangements

with Maddie Reyna

September 27, 10:00–1:00 p.m.

Tuition: $100

Materials Fee: $30

Create a festive centerpiece with autumnal florals and other organic materials while considering foundational historical floral styles including Dutch Baroque, Ikebana, and contemporary movements. Participants will experiment with vessel armature techniques such as wire mesh, pin frog, and tape grid. Local flowers from White Barn Flower Farm in Holland, Michigan, will be provided to each participant, and after demonstration, arranging, and group discussion, they will take their ephemeral arrangement home.

Plan to bring: A vessel, garden shears, garden gloves, a box to transport your arrangement.

Photo by Dominique Muñoz

Maddie Reyna is an American painter who began arranging flowers as a way to have live subjects for her work. That practice has come to stand alone as she applies considerations of color, form, and composition to three-dimensional organic matter. She has a Masters in Painting and Drawing from the School of the Art Institute of Chicago, studied at The Flower School of New York, designs flower arrangements for brides and other party throwers in Chicago, and is the Education Director for Ox-Bow School of Art & Artists’ Residency.

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Sep
27
10:00 AM10:00

Introduction to Basket Weaving

Introduction to Basket Weaving

with Dee Clements

September 27, 10:00 a.m.–5:00 p.m.

Tuition: $200

Materials Fee: $30

In this six-hour session, you'll learn to create a small, round woven basket from start to finish, including how to begin the base, build the side walls, use two basic weaving techniques, and finish with a border or rim. No prior experience is necessary and each participant will be able to bring their basket and reed home.

Plan to bring: All materials are provided.

Dee Clements (she/her) is a process-based artist with interests in materials, craft, and ethnography. She holds an MFA in 3D Design from Cranbrook Academy of Art and a BFA in Fiber and Materials Studies and Sculpture from the School of The Art Institute of Chicago. She has shown her sculptural basketry work in galleries and art fairs internationally, and in 2025, she started The Weaving Workshop in Chicago, an artist-run workshop school that provides quality art education and creative skill development in basketry, off-loom weaving, and fiber crafts.

Photo courtesy of artist

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Sep
27
3:00 PM15:00

Contemporary Buttercream Piping Techniques

Contemporary Buttercream Piping Techniques

with Edward Cabral

September 27, 3:00–6:00 p.m.

Tuition: $100

Materials Fee: $20

This workshop will be a crash-course on using a pastry bag and either a star or round tip to decorate your bakes. Students will practice piping designs in buttercream while discussing further applications in pastry, including professional baking tips and a Q&A with the chef and host. Students will go home with a slice of cake they helped decorate (dairy, gluten).

Plan to bring: An apron and any additional piping tips you'd like to practice.

Edward Cabral (he/him) is a sculptor and chef living in Brooklyn. He is currently a Culinary Artist-in-Residence at Ox-Bow. His research-based practice encompasses traditional art, edible sculpture, performance, and impermanent objects. He received his BA in Visual Critical Studies from the School of the Art Institute of Chicago in 2011. He has exhibited at Williams College Museum of Art (Massachusetts), Roots and Culture, Heaven Gallery (Illinois), Alexander Gray Associates, The Drawing Center, Elizabeth Foundation for the Arts, and Superhouse (New York). He has been interviewed in Mold Magazine, Architectural Digest, and CakeZine, and has appeared on the History Channel, Disney+, and The Food Network.

Photo courtesy of artist

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Oct
3
to Oct 6

Enchanted Metals

Enchanted Metals

with Mark Schentzel

4-day, October 3–6, 3:00–6:00 p.m.

Tuition: $350

Materials Fee: $30

In Ox-Bow's Metals Studio, this workshop will guide students through making their own candlesticks, candelabra, or indoor/outdoor Fall inspired sculpture object. Demonstrations will include steel bending, welding, and other fabrication techniques necessary to complete a custom metal object.

Plan to bring: Wear cotton long sleeves and pants, closed toed shoes or boots, and tie back long hair. Safety gear will be provided.

Mark Schentzel (he/ him) holds a BFA in Sculpture and Functional Art from Kendall College of Art and Design. He received the program’s Sculpture Excellence Award. Mark appreciates the craft school experience and has attended workshops at Ox Bow School for the Arts, Penland School of Craft, and Peters Valley Craft Education Center. He has over 25 years of welding and custom metal fabrication experience and is co-founder of EA-Craftworks in Grand Rapids, Michigan; a custom metal shop providing unique metal works in Michigan and surrounding areas. Mark has taught welding workshops for the past 10 years and is currently diversifying to explore additional instructional opportunities in the areas of sculpture, welding, and metal fabrication. Mark's large-scale public sculptures in Michigan and the Midwest carry notions of surrealism through process, material identity, sustainability considerations, and infrastructure issues.

Photo courtesy of artist

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Oct
11
10:00 AM10:00

The Felted Slipper

The Felted Slipper

with Kelly D. Brandt

October 11, 10 a.m.–5 p.m.

Tuition: $200

Materials Fee: $30

Use wet felting techniques to create slippers that will keep your feet nice and warm and make an artistic statement as well! We will introduce the wet inlay technique to decorate your slippers, and add locks or flaps to give your creation a three dimensional effect. You will learn a technique for making a matching pair! These boots would be suitable to have leather applied to the sole afterward.

Plan to bring: Two or three old towels for soaking up soapy water, a large cellulose sponge. Optional: dishwashing gloves if you do not like having your hands in soapy water; any fibers or yarns of your own that you might want to incorporate in your project.

Kelly Dubois Brandt (she/her) started on her wool craft odyssey in 1975 with four heritage horned Dorset sheep who came to her five acre homestead in Lake Odessa "just to keep the pasture down." As an accomplished seamstress, she first used her wool harvest in wool-filled comforters, but soon taught herself to locker hook, spin, and felt. She first got involved in FiberFest in Hastings, Michigan in the early 1980s and has been teaching since 1985 in Michigan, Ohio, and Wisconsin. She is a published author and has won artistic awards for her work using wool and llama fiber from her flocks. Through her fiber based cottage business, Team Effort Artisans, Kelly has shown and sold fine wool craft at shows, galleries, and festivals.  She offers private classes at her new studio/barn outside Lake Odessa as well as through select locations.   

Photo courtesy of artist

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Oct
22
to Nov 2

Wicked Woodfire

Special Fall Intensive: Wicked Woodfire

with Henry J.H. Crissman & Virginia Rose Torrence

10-day, October 22–November 2, 10:00 a.m.–1:00 p.m.

Tuition: $1000

Materials Fee: N/A

Optional Room & Board Cost for this workshop only: $2080 for solo room; $2990 for shared room.

This intensive workshop will explore the many histories, methods, and potentials of using wood as fuel to heat and transform clay into ceramic. The experience caters to mid-career artists or those with a background in ceramics. Presentations will survey ceramic science, the history and logic of kiln design, and the incredible range of things artists have created with and around wood fired kilns. Demonstrations will include handbuilding and wheel-throwing techniques as well as methods for material experimentation with found ceramic materials and objects, specifically using clay gathered from a nearby beach on Lake Michigan to augment clays and make glazes. Conversations throughout will aim to assist students in finding creative agency with ceramics. The bulk of the class will consist of parallel working on independent projects and culminate in a nearly two-day long firing of Ox-Bow’s 80 cubic foot catenary-arch, wood kiln; a massive group effort will involve loading the kiln and methodically stoking it with wood for the duration of the firing until our desired temperature is reached throughout. We will once-fire the ceramics we make in the workshop and students are also welcome to bring bisqueware. Once cool, the kiln will be unloaded and cleaned, results will be finished and discussed.

Henry and Virginia

Henry James Haver Crissman is an artist and educator who thinks of his art as a means, not an end. The projects, objects, installations, happenings, etc. that one might call his ‘art’ precipitates from the swirling confluence of ceramic making, place making, critical engagement, and community facilitation and participation that wholly encompasses his life.

Henry James Haver Crissman earned a BFA in Craft from the College for Creative Studies in Detroit, MI in 2012, and a MFA in Ceramics at Alfred University in Alfred, NY in 2015. He now lives and works in Hamtramck, MI where he and his wife and fellow artist, Virginia Rose Torrence, founded and co-direct Ceramics School, a community ceramics studio and artist residency. He regards teaching as an integral aspect of his creative practice, and in addition to teaching at Ceramics School, he is currently an adjunct professor in the Studio Art and Craft Department at the College for Creative Studies in Detroit, MI.

Virginia Rose Torrence (She/her) Co-owns, operates and teaches at Ceramics School, a community ceramics studio and Artist Residency in Hamtramck MI. Virginia’s art practice is sometimes making pottery, and sometimes making sculptures. She received her BFA in Craft/Ceramics from the College for Creative Studies (Detroit, MI) in 2013 and her MFA in Ceramics from Alfred University (Alfred, NY) in 2016. Virginia lives and makes art in Hamtramck, MI with her partner and co-teacher Henry Crissman, two dogs, two cats and a parakeet.

Photo by Dominique Muñoz

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